Since the earliest days of cinema, film has been a colorful medium and art form. More than film color processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of color processes, film and photography also share and exchange color attributions and aesthetics. This publication highlights material aspects of color in photography and film, while also investigating the relationship of historical film colors and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of color underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Color Mania contains a general introduction to color in film and photography technique, materiality, aesthetics as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form. The publication is also available in German.
How to Identify Your Photo, Slide and Negative Formats –
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Photo slide, transparency, negative, APS Advantix and disc film identification guide. Standard 35mm film, such as Kodachrome, Ektachrome and Ansochrome Other film manufacturers such as Fuji also may be identified on the slide mount. with date and time information from the image (which is recorded on the film).
Click here to see what you are missing! This morning when I took some film in for processing, my local photo shop told me that Kodak now mounts slides in plastic mounts unless you specify cardboard. Are the plastic mounts okay? And how well do they mix with cardboard? My slides go back 40 years and are all in cardboard mounts, which so far I like. I have used Kodak specifically so that everything would be in standardized cardboard mounts. But maybe I’m missing something and the plastic mounts are better.
Any comments or advice? I don’t like the plastic mounts ’cause it is hard to write on them plus they are a little too fat for the plastic pages that I use to store my stuff. Regards, Burlington John.
The Benefits of Recording Your 35mm Slide’s Exposure Number
Share This Page. Thread Tools. Apr 10, 1. Messages: 2, Hello everybody. Today I got some slides in the mail, which happen to be kodachrome, processed in France.
I am trying to determine if I should append the date to the slide T on Kodachrome slide mounts stands for Toronto (Ontario, Canada) and V is.
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Recently, I have started going through the piles of 35mm slides we have in storage. It is quite a process however, these have been a little easier than the machine prints. Over three weeks I was able to process all 7, slides from the s.
Vintage Lot of + Color slides 35mm Dated s,s & s Lot of 28 Vintage 35mm Slides of Lighthouses 2″x2″ Mounts Photo Kodachrome slide.
Discussion in ‘ Photography Beginners’ Forum ‘ started by oldkodachrome , Oct 22, If prints were made from slides in , would the lab have done the following? Page 1 of 2 1 2 Next. Oct 22, 1. Would the processing lab have torn open the cardboard slide holders to remove the film to make the prints? Were there several different ways a lab could have made prints from slides back then?
We’re having some debate as to when some slides were photographed and wondering if the dates written on the slide holders in ink pen by a now deceased family member are accurate, along with the little red-ink slide number in the top corner of the cardboard. I’m a complete newbie to photography and didn’t find my answer in this Forum’s FAQ, so anything you old dudes can tell me will be very appreciated!
Kodachrome Slide Number help needed
But that is not all that makes Kodachrome unique among 35mm color films, as many of you who have collections of Kodachrome slides know. Besides reproducing the color of reality with a unique color palette, Kodachrome has also proven to be much more enduring than other color films. Any collection of Kodachrome slides stored in reasonably good conditions will have its original color and density very much intact, like some of our slides that go back 60 years.
Zoggavia collection wouldn’t be in existence without Kodachrome.
Most slides since have a date (month and year) and a frame number stamped on the mount. Most also have an indicator of film type (e.g. Kodachrome, Ektachrome, Kodachrome II), and some have a letter-number code.
Dating Kodachrome Slide Mounts. Just discovered this site. Lot of good info here. Check it out. This is a good one too! It is the ending of an era. Other mounts, non-Kodak? The links you provided are fantastic, but I was wondering if it was possible to find Kodachrome mounted in cardboard or plastic mounts that DID NOT have the word “Kodachrome” on them? For example, I’m working on scanning some older family slides from the 50’s and 60’s. One box has a graphic on the lid that says “Brown Photo”, with the word “Slides” printed to the right.
Probably the name of the local camera store, I would assume.
Kodachrome was a popular, high quality slide film. I worked at Kodak and here’s my opinion of Kodachrome’s legacy. The discontinuance of probably Kodak’s most iconic film, Kodachrome, was announced in The first version of the film was released in and the last production of its final incantation occurred in
mm Kodachrome slide. Mount date: August Image © Plancom.
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in For many years Kodachrome was widely used for professional color photography, especially for images intended for publication in print media. Because of its complex processing requirements, the film was sold process-paid in the United States until , when a legal ruling prohibited that. However, the arrangement continued in other markets.
Due to the growth and popularity of alternative photographic materials, its complex processing requirements, and the widespread transition to digital photography, Kodachrome lost market share. Its manufacture was discontinued in , and processing ended in December In early , Kodak announced they were investigating the possibility of reintroducing Kodachrome,  but later conceded that this was unlikely to happen.
Kodachrome was the first color film that used a subtractive color method to be successfully mass-marketed. Previous materials, such as Autochrome and Dufaycolor , had used the additive screenplate methods. Until its discontinuation, Kodachrome was the oldest surviving brand of color film.
Western Railroad Discussion > Kodak slide mounts
We are thrilled to contribute to the APPO blog to talk about rare format slides. We scan a million slides a year at EverPresent and they are a fun and easy way to relive your old family trips and special occasions. Slides can be color or black-and-white. Slides are pieces of celluloid that are often framed in mounts made of cardboard or plastic. Most mounts are roughly two-inch squares, but you can tell different slide formats apart by the size of their actual images:.
I have several hundred old Kodachrome slides I wish to convert to digital files for both I have over digital pics to date, Gig burned on a DVD. Play about with the res settings – crop out the slide mount in the preview pane and up the.
That support may be either glass or plastic film. Glass slides are most often black-and-white, but they may be hand-tinted. While autochromes are a form of “full-color” glass slides, they are relatively rare. The opposite is true for film slides: color film slides are very common, while black-and-white are relatively infrequent. The fact that images on a slide or transparency are conventionally positive sets them apart from images on glass and film negatives.
Responsible display practices ensure the long-term preservation of collections. Light levels in the exhibition area should be kept low. Appropriate filters should be used to minimize exposure to ultraviolet light. Display cases should be enclosed and sealed to protect their contents, and display items should be securely framed or matted using preservation-quality materials that have passed the Photographic Activity Test ISO Glass slides should not be exposed to more than 5, ft-c hours 50, lux hours per year with a 3-year rest between displays.
Hand-colored areas may be particularly light sensitive and should be monitored closely during exhibition.